BTS

The Frankie partnership

Two silhouettes shaking hands in a dark nightclub backlit by neon

The most important operational relationship in SLIST’s CDMX era started the way most things in this scene start: someone showed up, kept showing up, and eventually became indispensable.

Frankie went from fan to promoter affiliate to trusted partner. The evolution wasn’t planned. It was earned.


The deal was simple. Frankie gave SLIST-specific promo codes across multiple events. In return, SLIST drove real promotional volume. The guest list scaled from 15 per event to 30, then 40, then 50. Each step required proof that the previous one converted. It did.

I tracked every name via shared Google Sheets with Instagram handles for verification. No ambiguity about who came through SLIST and who didn’t. When a promoter tells you your promo drove sales, that’s nice. When the spreadsheet confirms it, that’s leverage.

The value was reciprocal. SLIST’s promo drove real ticket sales — the kind where the promoter texts you “soldout man thanks.” Ticket platforms shifted over time (Passline to Boletia), but the dynamic stayed the same: I bring people, you give me guest list spots and promo codes, everyone eats.


Frankie’s operation ran through EXT, and I got booked to DJ at their events multiple times. The partnership proved something that became a template for everything SLIST did after: promoter alliances work when both sides have something concrete to lose. Frankie needed dancefloor bodies. I needed guest list access and stage time. Neither of us needed to pretend it was about friendship (though it became that too).

This was the model for every promoter relationship that followed. Start small. Prove the numbers. Scale the access. Track everything. And never confuse a business relationship with charity — both sides should be measuring the return.

50 guest list spots per event, earned 15 at a time. That’s the SLIST way.